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MARYVILLE UNIVERSITY COURSE SYLLABUS

                                                                                                            19 Nov 2002 version

SEMESTER/YEAR:  Spring 2003

CLASS:  FPAR 205.H2  Writing and Performing the 10-Minute Play (4 cr)


PREREQUISITE:  Honors status

MEETING LOCATION, DAY, TIME:  ABAC 3249

MEETING DATES AND TIMES:  Fri 9:00-11:45
Jan 17,24,31; Feb 7,14,28; Mar 14,21,28; Apr 4,11,25; May 2

INSTRUCTOR:  Dr. Leah Schwartz, Professor of English
School of Liberal Arts and Professional Programs

OFFICE:  ABAC 3206

PHONE:  (O) 314-529-9409    Voicemail 314-529-9201 + 9409#

FAX:  314-529-9965 (SLAPP office)

EMAIL:  schwartz@maryville.edu

WEB:  http://accweb.itr.maryville.edu/schwartz


This syllabus may be altered by the teacher to meet student or instructional needs.

Required texts:

Perfect 10:  Writing and Producing the 10-Minute Play 
Gary Garrison; Heinemann, 2001, ISBN 0-325-00312-2-51495>
30 Ten-Minute Plays:  4,5,6 Actors

Michael Bigelow Dixon, Tanya Palmer, Brendan Healy, eds.; Smith and Kraus, 2001, ISBN 1-57525-279-1-90000

Course Goals:

To understand and to use the principles of playwriting
To develop acting skills  

Course Objectives:

1.  Students will learn how a 10-minute play works.
Measurement:  Class discussion of published 10-minute play scripts
Measurement:  Writing and revising 10-minute plays that work well in performance

2.  Students will demonstrate knowledge of playwriting theory.
Measurement:  Substantive quality discussion in class of Perfect 10:  Writing and Producing the 10-Minute Play in class
Measurement:  Creation of insightful discussion topics and questions (and answers) to elicit discussion of Perfect 10
Measurement:  Effective use of theory in writing 10-minute plays

2.  Students will demonstrate understanding of viable situations for 10-minute plays.
Measurement:  Generation of 12 situations; defense of the viability of the situations as prospects for play scripts

3.  Students will demonstrate ability to write dialogue.
Measurement:  Writing dialogue in practice sessions
Measurement:  Writing 3 10-minute plays

4.  Students will demonstrate understanding of exposition, conflict, resolution, and character development.
Measurement:  Writing the 10-minute plays
Measurement:  Critique of a live performance 

5.  Students will demonstrate ability to evaluate playwriting and to rewrite their own plays.
Measurement:  Workshopping their plays and altering the script based on the effectiveness of what they see and hear during the process
Measurement:  Effective participation in the workshopping and evaluation of other students’ plays

6.  Students will demonstrate creativity.
Measurement:  Invention of plausible situations for plays
Measurement:  Effective participation in improvisation exercises
Measurement:  Stageworthiness of their 10-minute plays

7. Students will demonstrate ability to act.
Measurement:  Creation of a character and ensemble acting in the 10-minute play productions

Calendar:

Assignment:  View a live play production and write 15 substantiated comments on the playwriting (language, dialogue, leitmotifs,  plot, characterization, exposition, conflict, resolution, special effects, style, wit, humor).  Type your work.  You may hand in this assignment any time before the end of our last class May 2.

Jan 17 
Reading 10-minute play scripts from 30 10-Minute Plays
Discussion of exposition, conflict, resolution, character, language, silence in the play scripts
Discussion of impetus for the play:  character, situation, plot
Brainstorming to invent situations for plays
Practice writing dialogue
Improvisation exercises

Jan 24 
Assignment:  Prepare 3 questions or topics for discussion based on the text.  Answer your questions; discuss your topics.  Type this assignment.
Discussion of the text Perfect 10:  Writing and Producing the 10-Minute Play
Brainstorming to invent situations; evaluating the situations
Practice writing dialogue

Jan 31
Assignment:  the 1st 10-minute play.  Type the play.  Bring copies for each person in the class.
Jan 31, Feb 7, 14, 28

Workshopping, revising, rehearsing, performing the first set of 10-minute plays

(No class Feb 21; faculty development day)

(No class Mar 7; spring break is Mar 2-9.)

Mar 14
 
Assignment:  the 2nd 10-minute play.  Type the play.  Bring copies for each person in the class.
Mar 14, 21, 28, Apr 4
 
Workshopping, revising, rehearsing, performing the second set of 10-minute plays

(No class Apr 18; Easter Break is Apr 17-20.)

Apr 11
Assignment:  the 3rd 10-minute play.  Type the play.  Bring copies for each person in the class.
Apr 11, 25, May 2
  Workshopping and performing the 3rd set of 10-minute plays

May 2 
Assignment:  Hand in your body of work:  the workshopped version of all 3 plays and the revised version of 2 of the plays, clearly identified.

The 15 comments on the playwriting of a live play production are due no later than today’s class.

Assignments:  

  1. Portfolio of  3 10-minute plays, 2 of them revised 50%
  2. Acting in the 10-minute plays 20%
  3. 15 comments on playwriting based on a live performance 10%
  4. 3 questions or discussion topics (with answers) based on the text 5%
  5. Participation in the workshopping and other class activities 15%

Class attendance is required.  Workshopping and rehearsing can’t be effective if some participants are missing.

Grading of the assignments:

  1. The plays – effectiveness of
    dialogue
     plot
    action
    characterization
    exposition
    conflict
    resolution
    language
    feasibility of staging
    ideas
    wit, humor
    et cetera!
  1. Acting
    willingness to experiment
    concentration
    credibility
    appropriateness
    effectiveness
  1. 15 substantiated comments on playwriting based on a live performance
    Reasoned comments on language, dialogue, leitmotifs,  plot, characterization, exposition, conflict, resolution, special effects, style, wit, humor, et cetera. 
    The assignment must be typed.
    It is due any time before the end of our last class May 2. 
  1. 3 questions or discussion topics (with answers) based on the text Perfect 10.
    variety of topics
    reasonableness of answers
    helpfulness to the rest of the class
  1. Participation in workshopping and other class activities
    frank, thoughtful, helpful suggestions to the playwrights
    allowing other students to participate; not dominating the discussion
    offering suggestions about class activities
    taking part in class activities with spirit helpful to the group

 

 

 

 

margaret brown             calamity jane           saws          sailing of the ill-fated steamship titanic   
shakespeare       theatre in st louis           oral communication          anatomy of the theatre
performance workshop I          performance workshop II           world literature              methods of teaching english
writing and performing the 10-minute play              freshman seminar
home 
       spring 2008          fall 2008      speech exam directives       10-minute play scripts