HISTORY 201-H1

COLD WAR CULTURE

FALL 2002

MW 4:30-5:45

ABAC 3249

 

 Dr. Linda Pitelka

Office: ABAC 3210

Office Hours: MW 2:00-4:00; TTH 8:30-10:30

Phone: 529-9621.  Home 454-1489 (9am-9pm only please)

Email: pitelka@maryville.edu

Fax: 529-9965

http://accweb.itr.maryville.edu/pitelka

 

“Men make their own history, but they do not make it just as they please; they do not make it under circumstances chosen by themselves, but under circumstances directly found, given, and transmitted from the past.”

                                                 Karl Marx

  “Who co ntrols the past, controls the future”

                             George Orwell

 

Course Description:

           This course will immerse students in the historical development of the United States from the eve of World War II to the fall of the Berlin wall. The course will examine significant cultural, political, social, economic, and intellectual developments of the period. The course will also emphasize the use of films, novels, and other cultural products (such as advertising and fine arts) as artifacts of the time.

         The Cold War redefined the United States’ and Soviet Union’s roles in the world and brought about wide-ranging changes in politics, economics, technology and culture.  The Cold War profoundly shaped the culture of the United States and the world for fifty years.  Therefore, looking at the Cold War helps us to understand the nature of the world today.

 Course Requirements:

      All students are required to attend class meetings and take part in discussions and other class activities. Written work will require students to synthesize lecture materials as well as readings. Students must also read and assimilate required readings, and be prepared to discuss readings on the schedule given below.

 Film Essay:

 Because Cold War culture was an integral part of the Cold War itself, it is important to understand the ways in which films both reflected and influenced the political arena.  This paper will be a critique of some of the films we will see in class:  Atomic Café, Rebel Without a Cause, The Manchurian Candidate, and Dr. Strangelove.

 Attendance:

 Seminars require the consistent attendance and participation of everyone for their success.  Members of the seminar rely on one another for dialogue, feedback, collaboration, and critique.  Absences are keenly felt by all.

 Books:

Stephen Whitfield, The Culture of the Cold War. 

Beth Bailey, Sex in the Heartland

William Chafe, The Unfinished Journey. 

Ann Moody, Coming of Age in Mississippi

Philip Caputo, A Rumor of War

Jules R. Benjamin, A Student’s Guide to History

 

Other Resources:

 Cold War Websites:  http://www.research.umbc.edu/~landon/Local_Information_Files/Cold%20War%20WEB%20Sites.htm

 Papers:  Should follow the conventions of history papers, using endnotes or footnotes.  Refer to instructions in Kate Turabian, A Manual for the Writing of Term Papers, Theses, and Dissertations or the Chicago Manual of Style.  Both are available in the library and on the Internet: Chicago Manual - http://www.lib.ohio-state.edu/guides/chicagogd.html

Turabian - http://www.ithaca.edu/library/course/turabian.html

 Grading:

    Participation/Discussion (includes short written assignments on readings and/or quizzes): 15% of     grade

          Film Essay:  15% of grade

           Midterm Examination: 15% of grade

           Final Examination: 25% of grade

           Cultural History Paper: 30% of grade.   I will distribute a list of possible topics.  The bibliography should include at least ten sources.  No more than three sources may be from the Internet and the instructor must approve these in advance.

This syllabus is subject to change at the discretion of the instructor to accommodate instructional and/or student needs 

Schedule:

 Monday, August 26:  Introduction to the course. 

                Begin reading:  A Student’s Guide to History

 Wednesday, August 28:  The War Years

         Discuss Benjamin, A Student’s Guide to History, Parts 1 and 2.

Read: Unfinished Journey, chapter 1

Monday, September 2: Labor Day – no class

 Wednesday, September 4:  Cold War Origins

           Read: Unfinished Journey, chapter 2

 

Monday, September 9:  Truman and the Cold War

           Read:  Chafe, chapter 3

          Begin:  Culture of the Cold War, Chapter 1

  

Wednesday, September 11:  Hollywood and HUAC

           Read: Culture of the Cold War, chapter 2

   

Monday, September 16:  Social Reform and Activism

           Read: Chafe, chapter 4

          Continue: Culture of the Cold War, chapter 3

           Video: Atomic Cafe 

 

 Wednesday, September 18: 

           Read: Culture of the Cold War, chapter 4

           Finish Atomic Café and discuss film and readings

  

Monday, September 23:  American Society in the 50s

           Read:  Chafe, chapter 5

                    Cold War Culture, chapter 5

          Begin video: Rebel Without a Cause

 

Wednesday, September 25

          Read: Cold War Culture, chapter 6

          Finish video and discuss

         

Monday, September 30:  Civil Rights Movement – 50s

           Read:  Coming of Age in Mississippi

          Read: Cold War Culture, chapter 7

          Read: Chafe, chapter 6

 

Wednesday, October 2:  Civil Rights Movement in the Fifties

         Finish: Coming of Age in Mississippi

         

Monday, October 7:  Kennedy and the Cold War

           Read: Chafe, chapter 7

          Read: Cold War Culture, chapter 8

Wednesday, October 9:  Kennedy and the Cold War

          Read:  Cold War Culture, chapter 9

          Video: Cuban Missile Crisis

 

Monday, October 14:  LBJ

          Read:  Chafe, chapter 8

          Read: Sex in the Heartland, Introduction, chapter 1

          Begin: Caputo, A Rumor of War

   

Wednesday, October 16:  Vietnam

           Read: Sex in the Heartland, chapter 2

          Continue: Rumor of War

 

 Monday, October 21: Vietnam (cont.)

           Read: Chafe, chapter 9

                   Sex in the Heartland, chapter 3

          Finish and Discuss: Caputo, A Rumor of War

 

Wednesday, October 23:  Coming Apart

           Read:  Moody, Coming of Age in Mississippi

                    Sex in the Heartland, chapter 4

Writing Assignment: What were the barriers Anne Moody faced?  Which of them was most difficult for her to overcome, and how did she do so?  What do her experiences reveal about American life in the 50s and 60s, and what do they reveal about the Civil Rights movement?  Examine this in a brief essay (2 pages) due on the discussion day.

Monday, October 28:  The Radical Sixties

          Read:  Chafe, chapter 10

                    Moody

                    Sex in the Heartland, chapter 5

          Video: Dr. Strangelove

   

Wednesday, October 30:  New Left

           Read: Moody

           Sex in the Heartland, chapter 6

           Finish Dr. Strangelove and discuss

 

Monday, November 4:  1968

           Read:  Chafe, chapter 12

          Finish Moody and discuss.  Short papers due.

    

Wednesday, November 6:  Nixon

           Read: Chafe, chapter 13

                   Sex in the Heartland, chapter 7

 

  Monday, November 11:  Seventies

           Read: Chafe, chapter 14

           Sex in the Heartland, chapter 8

 

  Wednesday, November 13:  Eighties

     Film paper due

    

Monday, November 18:  Ending the Cold War

          Read:  Chafe, chapter 15

 

Wednesday, November 20:  Ending the Cold War

          Read: Chafe, chapter 16

 

November 25-27 – Thanksgiving Holidays:

Monday, December 2:

          Presentations

Wednesday, December 4: 

          Presentations

Monday, December 9:  Last day of class

          Presentations

           

Honesty in the writing of papers

 The composition of any paper must be entirely the student's own work. If the exact words of another are used, even to a limited degree, quotation marks must be used and a documentary reference (a note) given. If information or ideas are taken from another work, although not a direct quotation, a student must give credit in the notes as to the source of the information. (I will distribute complete instructions for all this before papers are assigned.) Failure to give such credit is plagiarism, and is equivalent to cheating on an examination. Submission of a paper which is copied from another work or written by someone other than the student, or which contains fictitious notes, will be cause for failure in the course.

IMPORTANT: STUDENTS MUST KEEP NOTES AND SUBSEQUENT DRAFTS OF PAPERS UNTIL THE PAPER HAS BEEN RETURNED WITH A FINAL GRADE. I MAY ASK TO SEE YOUR NOTES AND OTHER WORK IF I HAVE ANY QUESTIONS ABOUT YOUR SOURCES.

 PAPERS WITHOUT SOURCE CITATIONS AND BIBLIOGRAPHY WILL NOT BE ACCEPTED.